Wednesday, July 1, 2009

How Long Do Projection Tvs Last Hitachi





theater photography course
begins June 8, 2011


This course is aimed at photographers wish to register the performing arts and broadcast their personal vision of the work. work over the 6 classes is focused on two main themes: firstly the technical aspects of shooting in scene and situation, on the other hand, the look and presentation on the work itself for this to be reflected at different depths through the image and composition.

To participate in the course requires a good grasp of shooting.

1) An approach to theater photography: imaging plays in different situations. explanation of technical features.

2) Aspects technical shooting. Cameras, lenses. Material preparation.

3) Preparation work on a play to identify, read a synopsis of the text and posing of the situations recorded

4) Practice mount the work with actors. Location press photography studio

5) Practice in a studio theater

6) Presentation of the work done in practice


ARTISTIC NUDE, light, form, expression, duration 4 hours, June 25
started this workshop with a brief introduction to the composition which will allow us to then work in practice on the nude from the idea of \u200b\u200benhancing the natural beauty of the human body through its forms: that curve a particular back (and no other ...), that expression of the hands, the mystery of what is and maybe is not an expression, a leak in the shadows. Lighting that brings a touch of magic to the scene and found the skin or in their absence.
This seminar is aimed at amateur and professional photographers with good management of his camera and the intention is to create situations in which the photographer learn to see and discern the harmony of the body with light and the environment

in BOTANICAL GARDEN, composition workshop, portrait and light in nature
date to be determined, 11am


Botanic In this workshop, which is given as a unit, we see issues related to natural lighting in the park, essentially learning to see how the encounter of light with nature and in what circumstances awakens in everyone the desire to photograph. She explores issues of composition that helps the photographer to produce images that are held accountable for their particular view without falling into the traps that tends ease of nature when it is splendid.
The work is complemented by the pursuit of assimilation of the human figure, portrait, the landscape or vegetation, to ensure that instead of competing to merge into rich, authentic images that account for the here and now in the process.

To participate in this workshop must register by mail or by telephone, the number of participants is limited.


NIGHT PHOTOGRAPHY IN PUERTO MADERO, Friday, May 6 , 20hs
In this workshop we will work with a tripod and without flash. Puerto Madero is a site that lends itself to an interesting photograph but the challenge is to achieve compositions reflecting the breadth and depth of the site and also to overcome the difficulty of properly expose with artificial lighting and reflections.
A model joins us to add one more challenge to the experience.







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