The experience of encountering the sculptor's work, one of the oldest of humanity, for the photographer an open door to a world that has nurtured the clash between the will of man and material hardness. Watching the carvers working on the stone or wood, feel blending the edges that define the art: the worker is revealed as an artist, the artist assumes the condition of workers and sculpture emerges from the theater.
This program is for classes 2 and 3 of the intensive course of 6 classes
natural and studio lighting (The Language of Enlightenment)
This module of the course began with a review of some fundamental concepts about the nature of light, its measurement and photometry . The approach to learning this "language Enlightenment" is done with the explanation and demonstration of the properties that define a lighting scheme: relationship quality light-shade, contrast, directionality, intensity light. progress in this analysis are contemplated in studio lighting conditions and as its equivalent in natural lighting and see the effect of each situation on the composition of the image, the impact of different qualities and quantities of light on our emotions or the final appearance of the photographs, either to guide in a search of art, or for carrying out commissioned work. In all cases the emphasis is on the significance to investigate each situation to the reading of the image.
In all cases involving working model to illustrate these effects on the expressions and the composition and use different Lighting fixtures, umbrellas, reflectors, soft box.
